• Beveled Tone Holes: This is the ultimate “smoking gun” for identification. Martin was the only manufacturer that used thick, soldered-on, beveled (tapered) tone holes.
• The Body Tube: The saxophone utilizes the heavy-gauge brass body tube blueprint of the Martin Handcraft series.
• Keywork Layout: As a 1930s stencil, it typically uses slightly older or simplified Martin key configurations to keep production costs down. It lacks the modern ergonomics of later Selmer Paris horns (like the Balanced Action or Mark VI).
• Engraving: The bell is stamped with “Selmer Manhattan” or features Manhattan-themed branding rather than the traditional Martin crest.

• Big and Fat Low End: Martin horns are legendary for massive, broad, and velvety low registers (\(B\flat\) and B).
• Dark and Resonant Core: It yields a spread, warm, and dark tone. When pushed with a small-chamber mouthpiece, it can easily take on a gritty, piercing R&B or Rock & Roll character.

• Affordable Entry to Vintage Sound: Because it bears a stencil name, it does not command the high price tags of a true “The Martin Tenor” or a Selmer Paris horn. It typically sells for under $1,000in un-restored condition, $1200 to $2000 restored and working.
• Repair Warning: The soldered, beveled tone holes can occasionally develop leaks if the original solder deteriorates. Repairing them requires a specialized technician experienced in vintage saxophones, which can make overhauls costly

  Condition
  We rate each horn’s condition. Any defects are noted here. Each criteria is on a scale of 1-10, with 1 being poor condition and 10 being perfect.

  • Body (dents, deep scratches, etc.) – 8– Dimple size dents throughout
  • Finish (lacquer, silver plate, paint, etc.) – 8 – Lacquer wear
  • Previous repairs (soldered posts, dent work, etc.) – 9– a couple of key guards may have been re-soldered.
  • Accessories (case, mouthpiece, etc.) – 8 – case is decent
  • Playability (leaks, sticky keys, etc.) – 10 – Fresh overhaul, plays like new

• Model: Selmer Paris S80 Series.
• Facing: C* (C-star), which is widely considered the standard “reference” model for classical and concert band playing due to its broad, full-toned sound.
• Material: Hard rubber (ebonite).
• Chamber: Features a unique square cross-section chamber designed for stability and consistent facing.
• Condition Note: The olive-brown “patina”  is a natural occurrence for vintage hard rubber as it ages and is exposed to light or moisture. This discoloration is cosmetic and generally does not affect its playing qualities.

• Model: S80 Series, characterized by the “S 80” engraving in a rectangular box.
• Facing/Tip Opening: Marked as C* (C star), which is a common choice for intermediate to professional classical players seeking a balanced, centered sound.
• Material: Milled from high-quality hard rod rubber (ebonite), which can sometimes discolor to a brownish hue over time, as seen in the provided image.
• Origin: Engraved with “Made in France,” indicating it was manufactured by Henri SELMER Paris.

• Material: Hard ebonite (vulcanized rubber).
• Design Feature: Features a square cross-section in the chamber instead of the traditional round one.
• Facing: The “C*” marking visible on the shank indicates the tip opening size, which is a very common standard for student and professional classical players alike.
• Sound Profile: Described as producing a “French” classical sound that is rich, powerful, and refined. 

• The “Soloist” Script: It typically features a script “Soloist” engraving on the table (the flat part where the reed sits).
• Scroll Shank: The distinctive scroll-patterned ring around the base of the shank is a hallmark of this era.
• Markings: The engraving shows the Selmer Paris logo and “MADE IN FRANCE”.
• Long Shank vs. Short Shank: This model appears to be the Long Shank version, which was the successor to the “short shank” and the precursor to the modern S80 series. 

• Target Level: Intermediate/Step-up.
• Key: Eb (Alto).
• Range: Includes a high F# key.
• Material: Typically crafted from lacquered brass.
• Origin: While many classic Omega models were made in the USA, some MG288 versions are noted as being made in Taiwan. 

• Estimated Price: Used models typically range from approximately $1,085 to $1,500depending on condition. Some newer “New Old Stock” or mint listings have been seen as high as $2,800.
• Reputation: It is praised for having comfortable modern keywork and a focused sound that works well for both jazz and classical music.

Condition
We rate each horn’s condition. Any defects are noted here. Each criteria is on a scale of 1-10, with 1 being poor condition and 10 being perfect.

• Body (dents, deep scratches, etc.) – 8 Small dent on bel at body to bell brace
• Finish (lacquer, silver plate, paint, etc.) – 8  lacquer wear
• Previous repairs (soldered posts, dent work, etc.) – 10 none noted
• Accessories (case, mouthpiece, etc.) – 9 
• Playability (leaks, sticky keys, etc.) – 10 

• Acoustic Response: Features a neck designed with slight resistance to provide a quick, fluid response across all registers.
• Professional Keywork: Equipped with a compact key design, professional blue steel spring tension for fast action, and a rocking table mechanism for smoother finger transitions.
• Construction: Utilizes a fully ribbed body construction for durability and enhanced tonal resonance.
• Accessories: Typically includes a professional Selmer S-80 C* mouthpiece, which is an industry standard for classical and concert band playing. 

• Clear Lacquer: Standard yellow brass with a classic look.
• Black Nickel Plate: Often paired with silver-plated or gold-lacquered keys for a striking, modern appearance.
• Silver Plate: Offers a brighter tone and a traditional professional aesthetic.
• Copper Brass: Provides a warmer, darker timbre compared to standard yellow brass. 

Condition
We rate each horn’s condition. Any defects are noted here. Each criteria is on a scale of 1-10, with 1 being poor condition and 10 being perfect

• Body (dents, deep scratches, etc.) – 10 perfect
• Finish (lacquer, silver plate, paint, etc.) – 9 A couple of small scuffs on the finish. On the neck and strap ring.
• Previous repairs (soldered posts, dent work, etc.) – 10 none noted
• Accessories (case, mouthpiece, etc.) – 9 mouthpiece looks great, ligature has some finish wear.
• Playability (leaks, sticky keys, etc.) – 10

• Target Player: Primarily designed for intermediate or advancing students looking for better ergonomics and features than a standard beginner horn.
• Key Features: Most models include a high F# key, gold lacquer body, and often come with nickel-plated keys.
• Origin: These modern Omega models (such as the MG288 or AK097AS) are manufactured in Taiwan rather than at the traditional Selmer factories in France or the former Buescher plant in the USA. 

• Used/Pre-owned: Generally found between $600 and $1,100 depending on the merchant.
• Premium Listings: Some retailers list refurbished or “new old stock” versions for up to $2,800.
• Common Merchants: You can frequently find these on Reverb or eBay.

Condition
We rate each horn’s condition. Any defects are noted here. Each criteria is on a scale of 1-10, with 1 bein poor condition and 10 being perfect

• Body (dents, deep scratches, etc.) – 10
• Finish (lacquer, silver plate, paint, etc.) – 8 Has some scuffs on the bell, see pictures. normal wear and tear
• Previous repairs (soldered posts, dent work, etc.) – 10 none noted
• Accessories (case, mouthpiece, etc.) – 9 case has some scuffs but is very useable
• Playability (leaks, sticky keys, etc.) – 10